
The Show Interviews


Interview with Wendy Allen
by Marcel Bieger
Would you be so kind to tell us something about your life before FCBD (is there life before?)
I was very shy, and had horrible self-esteem. I never thought I could really DANCE.
I have always had a desire to perform, and tried my hand at a few things, mostly acting, and sang lead for a band in the early 90's. I was too self conscious to be a good actor, and had too much stage fright to be a decent singer. It wasn't until I started taking classes with FCBD that I found my home.



I dreamed of it, but never thought it possible. After the years of rejection in acting, I never dared hope I could actually be in FCBD. I decided to approach dance as something I was doing for myself, with no ambition toward even performing. I did a few student shows, then so many gigs were coming the troupe's direction that an advanced student group was formed to take on some of the overflow. I got really involved in performing with this group, known as Second Skin. I was completely surprised when I was invited in to the troupe.
Would you please explain your specific role or position inside FCBD?
I book gigs for the troupe, and manage the troupe when Carolena is out of town.

I laugh when I think about it. My first trip to
The first time I stepped onto the stage at Amira, looking across the circle to see Carolena smiling at me.Dancing to a sold out house at the Fillmore (a historic music venue in SF). Traveling, and sharing my love of this dance form.
Well, I look at who's dancing, and their experience level, the venue and the event, and go from there. If it is a student performance, I will choose easier songs for them to dance to.
If it's an event in a nightclub, I will most likely lean toward more modern music. On the other hand, if it's a night club belly dance event with a lot of fusion, we will go with a more folkloric set.
For daytime summer festivals, I like more folkloric music. But we also take into consideration what the dancers want to dance to.

Yes, we dance with Helm whenever we can. For the style of dance we do, live music can sometimes be unpredictable-much faster or slower in performance, phrases may be dropped or added. You have to really learn to go with the flow, and be comfortable enough with improvisation to be able to make it through those times with poise. Communicating with the musicians is key-one of the first questions we ask is if they'll play the song like it is on the CD, so we know what to expect.
